Southern comfort
Georgia songwriter reaches maturity on resonant new album

Earlier this year, after contributing a little bit of everything else over the span of three workmanlike decades in the music business, Randall Bramblett added one overlooked item to his resume: a full-bore killer solo album. Let's drive the point home straight out of the gate. The Athens, Georgia-based singer/songwriter and multi-instrumentalist's No More Mr. Lucky (New West) is far and away one of 2001's best. A simmering cauldron of distinctively Southern rock, R& B, jazz and pop stylings, the 11-song collection sears its way into your brain and penetrates deeper with time.

Before we go any further I should fill in a few blanks. All but the rock history hounds and inveterate liner note readers among you are probably wondering, who the hell is this guy? Fair question.

Bramblett, the son of a small-town Georgia carpenter and a one-time religion student at the University of North Carolina, made his first lasting marks in the '70s. Initially as a promising songwriter and solo artist, then later as the anchor of Greg Allman's touring band and a member of the groundbreaking Southern jazz-rock outfit Sea Level, he earned a player's player tag in musicians' circles. But when the critically acclaimed Sea Level's momentum stalled, a bitter and disillusioned Bramblett hit the bottle hard and essentially dropped out of music for most of the '80s, retreating to a workaday existence in New Orleans.
He returned to his home state in 1987, ostensibly to enter grad school and crank up a meaningful new career. That's when a call came in from a longtime admirer, former Traffic director Steve Winwood. Much to his own surprise, Bramblett eased back into circulation, landing sideman and session gigs with Winwood, Gov't. Mule, Widespread Panic, Levon Helm and others. A 1998 solo effort, See Through Me (Capricorn), Bramblett's first in over 20 years, generated a lot more critical praise than sales, but left no doubt that one of the South's most gifted and literate tunesmiths had what it took to rise above his respected journeyman status.

No More Mr. Lucky ends the discussion. This is the deeply resonant, mature work of a restless, soul-searching artist who's struggled mightily to get comfortable in his own skin. A poignant air of wistful midlife reflection hovers throughout, from the muted desperation of the funky, percolating opening track, "God Was in the Water," to the bittersweet acoustic guitar pop of the set closing "Disappearing Ink." Although Bramblett leaves no fleeting moment of transcendence unnoted - simple gratitude takes visceral form on a song like "Sunflower" - look elsewhere for Hallmark homilies. With this guy you get existential black humor ("Hard to Be a Human") and comfort in the knowledge that it's never too late for even a serial screw-up to learn from his mistakes ("Lost Enough").

I could go on about Bramblett's deft lyrical touch - "Aching For a Dream," his tribute to Beat icon Neal Cassady, does Kerouac's fictional Dean Moriarty and his running buddies proud - but it would be a crime to shortchange the music on No More Mr. Lucky. The songwriter and his studio compadres, notably guitarist Davis Causey, a kindred spirit since the Sea Level days, concoct a soulful Southern stew indeed. Primarily a keyboardist and horn man, Bramblett's affinity for jazz-juiced R&B permeates the album. His weathered tenor, a marvel of an instrument, couldn't be better suited to the task at hand. But there's a rocker's sensibility at work here too, particularly on the roaring "End of the String," simply one of the most powerful blasts of breakup angst you'll hear this or any other year.

Let's face it, nothing any music writer could say is likely to kick open many doors for an intelligent, format-defying and relatively obscure middle-aged artist like Randall Bramblett. That's the nature of the radio beast and only a greenhorn would imagine otherwise. Or a stubborn, ornery cuss like me. This one's too damned good to be ignored, folks. Do yourself a big favor and give No More Mr. Lucky a spin.

Mike Thomas
Pacific Sun
November 14 - November 20, 2001

 

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